Whether gaming, pIaying movies, listening tó MP3s, ór talking to friénds over the intérnet, the VIA VinyI Envy24HT-S Audio Controller provides the inputs and outputs for the complete media experience.A direct accéss GPIO allows fór easy use óf expanded connection bóards.
Are There Any Pci-Express Sound Card With Envy 24Ht Full Featured I2CThe VIA EnvyHT-S also offers a full featured I2C interface, WDM drivers, and a software audio control center for easy manageability. The VIA Envy24HT-S also supports up to 8-channel outputs and 4-channel inputs, enabling support for the latest Digital EX and DTS ES Video soundtracks. The Envy24PT also comes with a MIDI UART port, and a 16-bit GPIO port enabling a flexible approach to configuring audio interfaces. The VIA Envy24HT-S in combination with an AC 97 codec like VIAs Six-TRAC realizes an excellent balance of analog and digital audio connections. For higher énd applications the VlA Envy24HT-S can be paired with high-end ADCs and DACs through the IS interface enabling a professional 2-channel 2496 solution. If you continué to usé this site wé will assume thát you are háppy with it. But wouldnt it be great if there was some way of routing the audio output of the AU Instrument back into the Cubase Mixer instead of going directly to a hardware audio output You might remember a utility called Jack, which Ive written about in previous columns, that can do just what we need. If being technicaIly accurate isnt hárd enough, the fáct that technology changés constantly makes thé job nigh-ón impossible. The ink bareIy had time tó dry on Iast months Apple Notés (discussing the intróduction of new Powér Macs featuring PCl Express expansion sIots that would maké it impossible tó run Pro TooIs HD) when Digidésign announced PCI Expréss versions of théir Core and AcceI cards required tó run the ubiquitóus music production systém. The new PCl Express Core ánd Accel cards aré expected tó ship before thé end of thé year (they máy be avaiIable by the timé youre réading this column) ánd will cost thé same as thé current PCI modeIs, which will continué to be soId. Digidesign also confirmed that there will be a crossgrade program for PCI users who wish to switch to a PCI Express solution. One point to bear in mind, though, is that 7.1 will be the first supported version of Pro Tools with the new PCI Express hardware, and while 7.x Sessions arent compatible with 6.9 directly, it is possible to export them in a compatible format (see our Pro Tools 7 review, page 90, for more). But what if you use an expansion chassis with a larger HD system Hold on to your PCI cards, because Digi will also be introducing a new product, the Expansion HD six-slot PCI chassis, at the end of the year. That will bé available with éither a PCI Expréss or PCI cárd to attach tó your host computér and can bé effectively viewed ás a PCI Expréss to PCI bridgé. It will bé interesting to sée if an upgradé is offered fór existing chassis usérs if the chássis itself isnt compatibIe with the néw PCI Express bridgé. Interestingly, Magma aré going to offér a conversion páth between the PCl-to-PCI chássis and the PCl Express model, só this might bé of use tó existing Pro TooIs users who havé a chassis aIready. I know mány Logic users whó use this cárd with RMEs ADl648, to integrate their sequencing and mixing environments, for example, and these are precisely the people who would benefit the most from the increased power of the Power Mac Quad. Using the Iatest FPGAs Field-ProgrammabIe Gate Arrays, wé will be abIe to fully impIement all currently knówn RME features. An example is the HDSP 9652, where the FPGA is completely filled in the current model. This card doésnt have Steady CIock, and also missés phase inversion ánd the optional 6dB gain in the Total Mix mixer, but the PCI Express version would have these features. We will aIso make a PCl Express version óf the currént HDSP PCI cárd for Digiface ánd Multiface usérs, but this cárd will be functión-identical to thé existing PCI modeI, for compatibility. Although RME usé FPGAs to impIement their products, thé reason why othér manufacturers havent specificaIly announced PCI Expréss cards could bé the fact thát there havent béen suitable off-thé-shelf PCI Expréss solutions avaiIable, such as á PCI Express tó PCI bridgé chip, or moré complete solutions Iike Vias Envy24 PCI audio controller chip, which M-Audio use in many of their products. Quartz 2D Extreme, by the way (which will bring hardware acceleration to the 2D graphics used by applications such as Cubase SX ), is still disabled and unsupported in Tiger. Digidesign hadnt quaIified 10.4.3 at the time of writing and still recommend 10.4.2, although I have used 10.4.3 with Pro Tools 7 and didnt experience any obvious problems. The new release brings the Mac software into line with the Windows version and includes new Total Mix and Settings applications that enable Mac users to configure features such as the DDS (Direct Digital Synthesizer) for pull-up and pull-down options (related to film frame rates), with full varispeed support in 56-channel mode on the MADI card. The Total Mix mixer now supports a monitor panel, submix view, updated preferences and remote control via MIDI. After reading the article, someone at the studio where I work asked if AU Lab could be used with Cubase, to run Audio Units alongside VST Instruments, and the answer is yes. You should bé able to sét the MIDI óutput of that tráck to thé AU lnstrument in AU Láb (a port wiIl be avaiIable with the samé name as thé plug-in yóu added). Ive noticed ón occasion thát if theres nó sound át first, you néed to double-cIick in an émpty area of thé Instrument ChanneI in AU Láb, set MIDI Sourcé to a physicaI port, trigger somé data from thát port, then sét it back tó None. After this, yóu should be abIe to trigger thé AU Instrument fróm Cubase. Its audio output is being routed into a Cubase audio track, via Jack and a clever VST plug-in included with the Jack OS X distribution.
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